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Details :

 

STOKOWSKI
RHAPSODIES [CD]

Number: BMCL 137
Label: BLUE MOON
Barcode: 8427328251372

138.00

 

Track Listing:

 

FRANZ LISZT:
01. Hungarian Rhapsody No.2 in C sharp Minor

GEORGES ENESCO:
02. Roumanian Rhapsody No 1 in A,OP.11

BEDRICH SMETANA:
03. The Moldau
04. "The Bartered Bride" Overture
RCA Victor Symphony Orchestra
Recorded in New York City, Feb 1960

BELA BARTOK: CONCERTO FOR ORCHESTRA
05. First Movement: Introduzione
06. Second Movement: Giuoco delle coppie
07. Third Movement: Elegia
08. Fourth Movement: Concerto interrotto
09. Fifth Movement: Finale
Houston Symphony Orchestra
Recorded in Houston, March 1960

 

Description:

 

Stokowski – Rhapsodies
白頭佬 - 史托夫考斯基的狂想曲

TAS上榜數十年,發燒友最愛的古典唱片之一,大型管弦音樂《狂想曲》,絕不會讓聽眾失望。RCA Victor Symphony Orchestra演出更是發燒錄音標誌,人人手上必須要擁有一張。這《狂想曲》錄音充分發揮出當年的聲場、動態及身歷聲的極限,弦樂齊奏時,充斥整個場地,又濃又重,只管說一句:真實犀利!驚嘆不已!

 

Reviews:

 

發燒音響 33週年特大號 (1/3/2019) Author: 馬中超

Rhapsodies

雖然筆者曾聽過這世紀名演,燒友俗稱「白頭佬」的《Rhapsodies》最新HD檔案,發覺在重新數碼處理之下,整體聽感竟然不下於LP,而且在細緻度和寧靜度方面,只有過之而無不及,令人有聽得更真的體驗。不過,當這BLUE MOON版本CD一開聲,動態固然不減,而群絃的幼滑度,與及音場的漆黑寧靜,都同樣較LP版優勝!特別是較少發燒友關注的其餘兩首Smetana的作品,The Moldau和The Bartered Bride,那如詩似畫的波希米亞風景,簡直讓人目不暇給。

 

 

發燒音響 (1/2/2019) Author: Yeung

示範級

RCA這張發燒名盤,由BLUE MOON再版,扭大音量欣賞李斯特的匈牙利狂想曲,聲底乾淨、音場廣闊、宣敘調引子呼呼弦聲質感濃烈至撲鼻而來,超低頻暗湧推波助瀾,大陣仗的樂群奏音頻密不透風,以煙韌的音質營造出滯緩的節奏,續漸凝聚成低沉壓抑的旋律,吟唱出悲痛和憤怒的哀歌聽之動容,音域層推進積蓄成沉雄大氣勢,音流排放慷慨浩瀚,高潮迭起。近聽弦樂群奏英姿楓爽,松香味攻鼻、遠望木管、銅管、定音鼓呼應尺寸有度,金屬味、鼓皮味呼之欲出,四首作品細節之豐富贏盡我收藏的舊版。此碟增添了史托高斯基之(巴托克樂隊協奏曲)同屬發燒名盤,五樂章結構充份展示了管弦樂各個聲部的層次色彩,正合史氏戲劇性佈局大肆發揮,將複雜場面處理得有條不紊,其結像、定位、樂器質感、音場動態、瓣瓣臻示範級數。

 

 

Hi Fi Review (1/2/2019) Author: 麥林

李斯特:第三號匈野利狂想曲

看見Blue Moon「白頭佬」封面,直覺便以為,是「翻叮」配上從前「白頭佬」CD的曲目配搭,也就是將原裝「狂想曲」。1960錄音)的音樂加上兩首Wagner (Symphony of the Air演奏,1961)

原來不是。而是史托高斯基領導休斯頓交響樂團的巴托「樂隊協奏曲」-由Everest公司Bert Whyte在休斯頓錄製,初版於1961年。喜出望外。

休斯頓交響的單簧管手Jeffrey Lerner憶起指揮大師:「即使他年事已高,仍很有魅力。而且知識淵博。那時候我們進行了很長時間的排練。」Lerner還記得跟Everest的錄音:「那是在數碼錄製之前的日子,每次開咪都是long takes。Everest有些相當前衛的錄音設備。」Robert Fine採用35米厘電影菲林去錄音也是向Bert Whyte偷師的!

史托把這首巴托作品詮釋得充滿活力和色彩,強調了作品的戲劇性動力,同時突出了音樂氣氛上機敏的對比。即使與Reiner著名的Living Stereo錄音相比,Stokowski也其有充足的生命和內在紋理。在史托手上,巴托音樂其有流暢的品質;終章的演出更是剌激到不得了!

五首長度不一的big orchestral showpieces放在一碟上,音效如何?嘗將「白頭佬」跟美版CD比,音色音效是各有千秋;拿Vanguard出的CD來比,音色是Vanguard版贏一個馬鼻,Hi Fi效果卻是Blue Moon版勝!真難以相信是錄於1960。即使平時不以classical為主食的發燒友都須買張看門口。

 

 

發燒音響 (1/1/2019) Author: 陳煐光

古典名盤

「好碟不怕百回寫」,自《發燒音響》卅多年前創刊以來,我已N那麼多次為文讚揚此碟的錄音成就,我認為任何音響發燒友 ─ 不論喜歡古典音樂與否 ─ 都應常備這張CD作「守門口」之用,因為它重現古典樂團的深?度與層次感、管弦樂合奏時的磅礡氣勢與質量龐大的低頻響應,都達到歷來古典錄音的最高水平,此錄音自1960年推出以來,不同公司推出不同的 LP與CD版本無數,我現在推介的是西班牙BLUE MOON的製作,此碟是普通正價 CD,但音效百份百屬發燒級數,此碟錄音師係大名鼎鼎的Bob Simpson(他的作品包括大家熟識的Belafonte at Carnegie Hall),總而言之,閣下聽CD的話,可買此碟。

 

 

 



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