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Details :

 

THE FRY STREET QUARTET
BEETHOVE, STRAVINSKY, ROREM & SCEARCE: STRING QUARTET [SACD]

Number: FSQCD 3
Label: KIMBER KABLE
Barcode: 726441555809

275.00

 

Track Listing:

 

Disc 1 :
Track 1-4 Beethoven : String Quartet no.5Track 5-9 Beethoven : String Quartet op.132

Disc 2 :
Track 1-3 Stravinsky: 3 pieces for string quartetTrack 4-13 Ned Rorem: String Quartet no.4Track 14-17 J. Mark Scearce: String Quartet no.1

 

Description:

 

Winners of the Millennium Grand Prize at the Fischoff National Chamber Music Competition, the First Prize at the Yellow Springs Competition, and prizewinners at the prestigious Banff International String Quartet Competition, the FSQ performs nationally and internationally. At Isaac Stern's invitation the quartet made its Carnegie Hall debut in a performance that "spoke of precision, preparation, excitement, profound heritage, and ultimate satisfaction" (New York Concert Review). A performance at the 92nd Street Y in New York was hailed by the New York Times as "a triumph of ensemble playing." The quartet made its European debut with a concert tour of the Balkans sponsored by Carnegie Hall and the U.S. State Department. The FSQ is currently the Faculty Quartet in Residence at Utah State University's School of the Arts.

 

ABOUT THE ISOMIKEIsoMike?

("Isolated Microphones") is an experimental acoustic baffle system, designed to remedy the interference of intrachannel sounds that results in compromised fidelity recordings. For this 4-channel recording, the microphones were suspended on four arms and separated baffle separated the right / left acoustic of the front microphones, the egg-shaped baffles separated the front / left channels, and the smaller heart-shaped baffle separated the right / left rear microphones. Under thefabric shell of each baffle is a complex mechanical design that takes over 100 hours to construct. Most baffles absorb sound from mid- to high-range frequencies; lower frequencies arc more difficultto absorb. Here, The unique shapes of the IsoMike baffles are advantageous. As lower frequenciesflow around the heart- or egg-shaped baffles, they are scattered, effectively dissipating their energy.As a result, the microphones are much more sensitive-they will pick up extreme acoustic detail. Wetook great care, therefore, to reduce the noise level within the auditorium during the recordings

 

RECORDING AND MASTERING EQUIPMENT

  • Microphones-Neumann Ml50
  • Preamp-Millennia Media HV-3D custom
  • A/D converters-EMM Labs ADC8 MklV
  • Recorders-Tascam DS-D98HR
  • Recorders-Genex GX9000
  • DAW-Pyramix DSD
  • D/A converters-EMM Labs DACsMklV
  • Monitor speakers-Lipinski Sound L707
  • Monitor speakers-Magnepan 20.1
  • Monitor controller-Grace Design M906
  • Monitor amps-Bryston 7BSST
  • Monitor amps-The Gryphon Antileon
  • Monitor headphones-Sennheiser HD-650
  • Cables-KIMBER KABLE Select Series

 

Reviews:

 

音響技術 (1/12/2005) Author: 披頭

樂器的分隔度份外清楚

Fry Street Quartet(FSQ)是一隊來自美國的弦樂四重奏.成立於1997年,2001年首次在紐約 Weill演奏廳登台演出,即獲得樂評的普遍讚賞。
這套雙碟SACD收錄了FSQ的幾首弦樂四重奏,包括貝多芬、史達拉汶斯基和兩位現代作曲家,Ned Rorem和J.Mark Scearce的作品。
貝多芬的兩首(Op.l8, no.5和 Op.132)在Disc 1 。Op.18是貝多芬嘗試脫離古典派的型式,步向一個屬於自己的全新局面。到了 Op.132.他已經完全擺脫了海頓和莫札特的影子,創造出曠世傑作奠定了他樂聖的地位。
史達拉汶斯基的3 pieces for string quartet則是作者作曲手法的一個轉捩點,對現代音樂的後來者影響至深。而Ned Rorem和J. Mark Scearce,則代表了當今之世現代音樂的一種路向。Rorem的作品是個十樂章的組曲,各以畢加索的一幅名畫為題;而Scearce則以Y2K為他作品的名稱。對這些現代音樂語言,我承認我自己只是在摸索階段。我的有限經驗是:玩這些音樂是很「過癮」的,聽則未必!但這兩個作品不算「難頂」一類,對有意探索現代音樂者,是一個好開始。
FSQ這樣的選曲,有意讓聽眾對19、20以至21世紀古典音樂的演變有一個約略的概念。這個野心是頗大的,能否達到日的,我不知道。但起碼他們證明了自己有能力演奏這三個時代風格差異頗大的樂曲。
這套SACD採用了一種據稱是全新的錄音概念,名為lsoMike的技術,原理詳見小冊子介紹。效果相當不俗,最明顯的是:樂器的分隔度份外清楚。

 

 

 



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