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Details :

 

KLAUS JACKLE
FRANCISCO TARREGA: MUSIC FOR GUITAR (180G LP) [LP]

Number: LP 83054
Label: CLEARAUDIO
Barcode: 4015166830541

325.00

 

Track Listing:

 

Side 1:

01. Preludio D-Dur
02. Jota
03. Sueno (mazurka)
04. Endecha
05. Oremus
06. Maria
07. Marieta
08. Gran Vals

Side 2:

01. Capricho arabe
02. Recuerdos de la Alhambra
03. Las dos hermanitas
04. Preludio a Miguel Llobet
05. Adelita
06. Lagrima
07. Rosita (Polka)
08. Tango

 

Description:

 

國際著名吉他演奏家Klaus Jackle,指法多變,吉他音色動人,奏出動人情感,更可彈出豐富獨特之和聲。Klaus Jackle演奏被譽為「近代吉他音樂之父」Francisco Tarrega (泰雷加) 作品16首,Heinz Wildhagen錄音,他是Deutsche Grammophon專用錄音師,DG黃金時期出品大部分出自其手,Clearaudio AAA 錄音,完全類比聲音製作。

Klaus Jackle performed for Herbert von Karajan, the Princess of Tonga and for example in the Berlin Philharmonie. He studied at the “Mozarteum” in Salzburg with Ekard Lind and Mathias Seidel. After this he studied exclusively with Pepe Romero who described his performances as a “Delightful experience” and invited him to tour with Los Romeros guitar quartet. He also stepped in successfully as soloist for Pepe Romero.

He was featured in the masterclasses of Julian Bream, Eliot Fisk and Wolfgang Lendle. He lives freelancing in Nurnberg. As a soloist and chamber musician in demand he has a large repertoire in all kind of stylistics. By now he released 20 CDs and numerous sheet music editions with various publishers, records regularly for the Bavarian public radio and get broadcasted in Austria and Slovenia and the USA.

Klaus Jackle plays a guitar built by Knut Welsch, Erlangen, with strings made by Dr. Junger, Bubenreuth.

 

Reviews:

 

HI FI REVIEW (1/3/2011) Author: 劉志剛

Clearaudio 兩張新LP

是次講一新一舊錄音。新的是2010年錄於Neumarkt的全ANALOG製作:結他演奏家Klaus Jackle演奏泰利加(Francisco Tarrega,1852-1909)的結他名曲。「舊」的是一張DG名盤:雅嘉莉殊彈奏拉威爾鋼琴協奏曲,及普羅歌菲夫第三鋼協;阿巴度指揮柏林愛樂。

Clearaudio的LP。低音比較修身是為特點;不是說「低音少」,而是身手矯捷。另一特點是高音清如水晶。從中低至中高則完全透明,沒自己的個性。從以上所述,像不像某個牌子的唱盤/唱頭的個性?

Heinz Wildhagen這名DG老臣,今天是Clearaudio LP製作部的靈魂人物。在上述DG錄音中,Wildhagen原來的身份是錄音師(「藝術監督」則是阿巴度在維也納唸指揮時的同窗Rainer Brock);在泰利加新碟中,Wildhagen負責錄音,而唱片監製則是Clearaudio的Peter Sachy。

雅嘉莉殊在這DG錄音中予我的印象,一直是coo1得有型,而這種「酷」跟作品個性?合到不得了。是次從 Clearaudio這180克黑膠中再次欣賞這兩個演奏,感受是從小楷coo1改為大楷COOL ---- COOL爆!

鋼琴聲部予我的感受其實沒太大改變,變得較多的倒是樂隊部份:從「卡拉揚的BPO」搖身一變,成了較後期的、約九零年代中後期「阿巴度時代」的BPO!都說「音響鍊」每一環節的改動,都會改變人們對一個音樂演出的印象;此話不假。換一條接線如是,唱片換一個「版」亦如是。

泰利加在生時被譽為「結他界的薩拉沙蒂」,可知他的技巧如何。而他的作品絕大部份是寫給自己演奏的,可知其技巧要求必不低。風格上,泰利加的作品充分反映了十九世紀下半葉的西班牙音樂美學觀;他住在巴塞隆拿時的朋友包括Albeniz,Granados,Turina和Pablo Casals。作品貴精不貴多:78首原創作品矣。最著名作品Recuerdos de la Alhambra,Capricho arabe(阿拉伯隨想曲),Gran Vals(大圓舞曲,Nokia電話全球廣告的廣告歌),Lagrima (淚,因思鄉與思念未婚妻而作)和Oremus(解"Let Us Pray",泰氏臨終前的天鵝之歌),本LP都選上了。

Miguel Llobet是泰氏的學生,泰氏其中一首作品叫 Preludio a Miquel Llobet。而最好玩的要算是Jota(十六首選曲中最長的一首),因為有「打鼓」效果;除了右手邊撥弦邊敲打面板的打法,還有扮snare drum的演奏技巧:左手將(低)E弦與A弦夾在一起,右手撥弄不能自由震顫的E弦,就能以像snare drum的聲音,替D,G,B,(高)E弦玩出的旋律和聲伴奏了!

這LP錄得太靚,靚到假若你不熟悉結他技巧,不知道有上述特別奏法,你會發誓:一定是有人打鼓,替Jackle伴奏!

 

 

 



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