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Details :

 

GERHARD OPPITZ
DANSES ROMANTIQUES (180G LP) [LP-VINYL]

Number: LP 83050
Label: CLEARAUDIO
Barcode: 4015166830503
Released Date:
2009年4月1日

325.00

 

Track Listing:

 

SIDE A:

FREDERIC CHOPIN:
1. WALZER AS-DUR OP.42
2. WALZER DES-DUR OP.64 NR.1
3. WALZER CIS-MOLL OP. 64 NR.2
4. MAZURKA A- MOLL OP.59 NR.1
5. MAZURKA A-DUR OP.59 NR.2
6. MAZURKA FIS-DUR OP.59 NR.3

FRANZ LIST:
7. PREMIERE VALSE OUBLIEE

SIDE B:

BEDRICH SMETANA:
1. POLKA G-MOLL OP.8 NR.2

CLAUDE DEBUSSY:
2. VALSE ROMANTIQUE
3. LA PLUS QUE LENTE (VALS)

ANTONIN DVORAK:
4. WALZER A-DUR OP.54 NR.1
5. WALZER A-MOLL OP.54 NR.2
6. WALZER DES-DUR OP.54 NR.4

 

Description:

 

德國第一唱片大廠CLEARAUDIO以180克黑膠壓片發行,王牌錄音師HEINZ WILDHAGEN親自操刀錄製,全類比AAA方式錄音和製作,世界著名鋼琴家,殿堂級藝術演奏師 GERHARD OPPITZ (奧必茲),雖然他獻身表演在20紀名家作品中,但他最終是浪漫古典作品之熱愛者。其師正是WILHELM KEMPFF,OPPITZ盡得其師真傳。

 

Reviews:

 

HI FI REVIEW (2009/8/1) Author: 劉志剛

淺談四張Clearaudio LP

這是近月推出的 Clearaudio LP。一個玩盤臂頭經驗豐富的朋友說:Clearaudio黑膠碟的個性,十足Clearaudio的盤臂頭。沒有比這更簡單直接又貼切的說法了。

之前已介紹過前 DG錄音師Heinz Wildhagen在Clearaudio唱片部門的舉足輕重地位了。去年8-9月,他一口氣做了(最少)三個新錄音:Digeridoo Percussion Mystic (world music)8月16日 Danses Romantiques (classical/piano solo)9月2至4日 Una hora Espanola (classical / guitar solo)9月12及13日

數碼錄音?No!是模擬式錄音及混音。

同期又推出了一張Archiv的reissue : Gregorian Chant。廠方未提供錄音資料,但我自己查到了:錄於 1981-82(analog);錄音師是Heinz Wildhagen。先講這張吧。我有DG reissue的CD(僅「聖誕期第三號彌撒」),聲音跟這LP有十分明顯的分別。CD上聽到很明顯的堂韻,LP卻不然;少了堂音卻清晰到不得了。據Wildhagen自述,這個錄音旨在重現葛利果聖歌的rhythmic subtleties和text的清晰。錄音時也特別安排十二個神父修士去唱而非幾十人的大合唱。從這個角度去說,新LP的聲音模態比較接近製作人的原意。不過Wildhagen提到「份量恰當的殘響」,我在兩個唱盤settings上(不同場地)聽此LP都覺得殘響甚少。不要緊,當絕大部份葛利果聖歌的錄音都有大量堂音殘響,這個偏少的,倒容易排眾而出。(LP 4778041)

Digeridoo (迪吉里杜管)是澳洲土著的傳統吹口樂器,音色怪異、有趣。這LP是"live"形式錄音,標榜演出的自發性 (因此一天就搞定)。迪吉里杜管固然是主角,這兒也有 mouthbow(不同的原始部落都有這種放在唇邊發聲的「弓」)、 Udu-Drum、Bongos、結他、哨子,和各式各樣exotic的敲擊樂器 - 再加上人聲的無詞呢喃哼唱。音樂動聽與否,人言人殊;但 「適合發燒用途」這一點卻是肯定的!(LP 83048)

《浪漫舞曲》是Clearaudio為鋼琴家Gerhard Oppitz錄了一張德布西專輯、深受好評之後,再接再勵之作。今次也有兩首德布西:Valse romantique和La plus que lente (Valse)六首蕭邦(3首圓舞曲3首馬袓卡);1首李斯特(第一Valse oubliee);一首史密塔納的波爾卡;三首德伏扎克的圓舞曲。這樣豐富(或日「雜」)的曲目安排,主要客戶對象是發燒友與Oppitz的迷哥迷姐(前者很多,後者恐怕不多)。

鋼琴聲晶瑩剔透,中高音泛音豐富;Oppitz指觸靈敏,詮釋不落俗套。我只希望低音豐厚一點,鋼琴的body感再強些、顯著些。(LP 83050)

Kiaus Jackle演奏Albeniz、Sor、Sanz、Llobet、Malats,還有膾炙人口但作曲家伕名的Romanza d'Amore,錄音跟上述Oppitz的舞曲碟是在同一地方。是否場地特性呢?Jackle支靚結他「弦線聲」鬼火咁靚,不過「琴腔聲」稍不夠。應該這麼說:既然前者咁示範級,琴腔聲應該也是啊,那樣才完美嘛! (LP 83051)

也許我是太挑剔些。

又或者:這個平衡度是新世代LP聲的美學?

 

 

 



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