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Details :

 

RIMMA SUSHANSKAYA
MOZART BY CABDLELIGHT BINAURAL RECORDINGS (180g LP) [LP-VINYL]

Number: VALLPBR 002
Label: CHASING THE DRAGON
Barcode:

363.00

 

Track Listing:

 

Side A:
Eine Kleine Nachtmusik
01. Allegro – Romance
02. Andante con moto
03. Menuetto and trio
04. Rondo

Side B:
01. Flute & Harp Concerto – Rondo
02. Symphony no.29 in A - Rondo

 

Description:

 

CHASING THE DRAGON Mozart by Candlelight Binaural Recordings (180g LP)
(燭光莫札特之夜180g LP)

 

Reviews:

 

Hi Fi Review (1/11/2017) Author: Shasha

雙碟雙路立體聲 Chasing the Dragon

我是Chasing the Dragon(追龍)的小粉絲,原因得壹個,就是愛他老闆Mike Valentine對直刻錄音的純情,他的DMM就是完全不做任何後製的直刻,是對表演者最嚴格的要求,也同樣是對藝術創作者的尊重。不過有賺自然有蝕,對馬馬虎虎的音樂演出會是最嚴厲的咒咀。

Mike玩人頭錄音玩上癮,自「西班牙」(Espana)後再推出兩張現場人頭錄音,由不用take two的The Locrian Ensemble, London擔當演出,集齊Valvadi, Mozart, Handel, Pachelbel多首作品,對苦於市場中沒有Binaural黑膠的發燒友當然是喜訊。「擬真人頭錄音」(Dummy Head Recording)是一種雙路立體聲錄音(Binaural recoding)技術,讓耳機聆聽者能獲得較逼真的環繞音響效果。

在錄音界,起碼有三種最常用卻又各執一詞的錄音技術。客觀上,三大種方法各自對應著不同錄音製作準確度的要求和聽眾的聆聽習慣,三者其實缺一不可。傳統「Decca Tree左中右三mic錄法」刻意記錄臨場感,受環境場地的天然回音影響甚大,但同樣是它別具臨場感的主因;「Binaural人頭mic錄法」一般用於耳機重播,能夠模擬出其餘兩種錄音方法沒有的環迴立體聲效果,在相對狹小的錄音場地比如Jazz Club和鐘乳石洞,效果猶為優良;至於「多聲軌的Multiple Miking錄法」是近幾十年的變種,由於聽眾的習慣改變了,聆聽錄音室類別的製作多了,加上多聲軌製作的普及,因此錄音師便可以使用"近距麥克風"(close mike)的方式為每一種樂器各自作補償性的錄音和混音,為聽眾帶來前所未有的細節和可改動的音響佈局。相信我,如果你不是音響技師,你不會太想進入他們的議論當中,因為他們都相信各自的方法是最優秀的!

我用監聽力十足的Sennheise「HD850和Shure SRH1840兩對開放式耳機聆聽兩套古典音樂唱片,答案是用黑膠聽人頭錄音沒有CD重播般極端,如果認知Stereo Separation,你就會了解LP重播沒有絕對的左右分格,就算是Lyra Atlas級別的唱針,亦只能控制介格在35dB以下,因此Mike沒有誇大,耳機聽空間感十足,放下耳機直接由喇叭重播,效果幾乎一樣,並沒有一般數碼重播的顧此失彼。

 

 

發燒音響 (1/10/2017) Author: 馬中超

百搭

數月前曾經推介過錄音界「特朗普」Mike Valentine新作《ESPANA》,該CD專輯特別在於除了正常兩聲道Hi-Fi版本之外,亦同步推出內容相同,但經Binaural特別炮製,專門供耳筒專用的Head-Fi版本。我曾先後用ALTEC A5大型號角體系和JVC木震膜發燒headphone鑑聽之,結果是Head-Fi版在空間感和分隔度上較突出,而且有著較高的兼容性,換句話說,最著數係買Head-Fi版,皆因不管你是純兩聲道擁躉,抑或headphone友,都可以獲得最佳音效,可謂一碟兩相宜。至於今次這張同是採用Binaural錄音的《Mozart by Candlelight》則是LP,究竟又跟CD有何分別呢?於是筆者除繼續採用A5播放之外,亦透過設有headphone輸出的MOFI UltraPhono唱放作鑑聽,結果跟上次情況一樣,總之買佢就無錯啦!

 

 

 



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